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Apeyard Holler

PASSIVE TRANGRESSIVE
  • May 26, 2012 4:04 pm

    Vertebrae

    were Dead curious in small blankets?
     ancient coverings with knott beads

    dreaded thru holes left by heavy thumbing.

     The quilt of noise having left

    solemn ringing heard over thoughts of a teenager
    that violence.

    when Dead answer in coughing fits
    do you hesitate to place your hand
    in a way to cover her mouth,
    in a cough to remember the way her hand
    covers her mouth when she coughs, the remembering cough.

    do the Dead question that heave?
    where once a fit or a blood could run—

    A drop cloth layer fragrance, posthumous fragrance;
    the smell of lost fragrance

    caught in worn blankets, bled sumptuously - purposefully
    poured from a bottled held by callous’d hands. 

    Once young to thought Dead die alone

    following such strict paths, linear and cordial
    in plain whites and pressed colors,
    masturbating in the bathroom at work.

    Doe this cross doe dead this hunger for bloody wierd

    I thought. No love knows no knot worth tying
    or untied love knots in strange ways. 

    nor know course of grown fingernails, from death doe or coffin tossed
    can unknow or untie these hungry knots as this blanket covers
    from head to toe, to skin to bone.

  • May 26, 2012 1:18 pm

    (Source: nuptse)

  • May 14, 2012 4:17 pm

    Cut excerpt

    I fell I feel I am a boy in a small swing set stuck in the harness and all the world is in front of me and they are pushing me up then left to swing. Back again up then effect, coasting but I need that first push to go and I locate footprints under my in the wood, the dirt, the gravel. Breathing prints, halting ones, and conditionally terrified prints where my feet only dangle and diagnose my body with impotent trembling. Dangling above briefly then scraping the impression with my tiptoes. Then I am back up and I fall backwards and I am back up and I look down and I see where my feet touched and I try again and it barely happens and I am back up. A semblance left by skinny legs the act of existing and attempting to mark it. A barely lasting breach in an already established and sailing ship of human conditioning. And I go back up and if two things, just two, one two, little things could just occur, not even both God, just one:

    A.) Given the patience to wait, wait long enough for my legs to grow so my feet can reach the wood and I go back up. Therefore, when my legs dig into the ground that brings with them the rejection of my predicament and I kick the pricks of wood into the faces of all that press into me. The faces for so long have eaten their own feces and laid their lips upon my own. My being spreads on their faces as cuts and marks from the width of my Reeboks.

    B.) Or that I, Jonny Spiegel, am pushed with such intention and ferocity that they leave grape bruises on my back and that I swing concentrically and that I go back up and I go further until I am upside down and when that happens I, Jonny Spiegel, will release my grip on the plastic links falling quickly to the gravel, the dirt, the wooden splinters and my entire weight leaves the mark of my existence in spilling blood and I will tint the ground in my guts. I will paint the gravel with the expressions of my pain and of my joy. That forever until men make a point to remove my mark, I will exist in fully in my own color, as a mark to my beating, my sentiments, my desire, and my devotion.

  • May 13, 2012 3:12 pm

    Bone Sessions


    April, some great skeletons 
    singing for the garden Conferences.
    Their eyes down, looking like Young skulls 
    lording in some meadowless room.
    Every pasture rests like their hands,
    Ivory and milk, both of them
    something similar.

  • May 7, 2012 3:42 pm

    Another chapter done and edited. Three more to go and two more to write and I’m fucking done.

  • May 5, 2012 4:28 pm

    faek

    in a ruot, people’s touch; hell togheher.
    Reaching or standing and running out,
    and what about that enough, is it wierd?
    Can it bern or bellow and corr and lose,
    can our fingers break each others, will
    they heal over time? over there, past
    whatever sits at the end of the street, 
    it sounds like somethi

  • April 29, 2012 9:03 pm
    I’ve always liked this picture. Mainly because I look crazy, and oddly enough neither of us are in a band together. Just two dudes, looking awesome. View high resolution

    I’ve always liked this picture. Mainly because I look crazy, and oddly enough neither of us are in a band together. Just two dudes, looking awesome.

  • April 29, 2012 1:23 pm

    Stick off, round mud what bothers
    a young stir than waiting on. Pies;
    blonde hair with wild crosses, Or maybe
    the confusing glance a child gives to
    the door when it opens up, glass
    and all that.

    Relax, growing up into a spring
    of a thousand organs. 

  • April 8, 2012 9:00 pm

    Intrasl


    Were wet clothes bothering you? or blue
    moths puddled to the pond’s mouth sank
    beneath the stomp of canvas shoes; drying.

    don blue a long the rows the maze the spiral,
    past the snake the scribble the crown the crawl
    and because our bones like communities or building 
    scaffolding keep growing we make an effort for boats
    riding them through the highway exits past the water
    towers, striped like sweaters, so soaked in soft steps
    or a physical skin, letting pockets out and wearing
    exhaustion like hurried hands, shaking from
    left out ambullican ghast warship hautewurk
    providence, cheeks.
    exposure laaaately nor
    droawning.

  • April 8, 2012 2:45 pm

    Review of my Latest Poem “Keebored”

    Let’s take a moment to read this poem aloud. 

    listen to the wealth of consonance and dissonance within the word play. it’s quite beautiful at times, when you read it aloud, isn’t it? just the way those words so seamlessly blend at times, only to be interrupted by a beat of harsh consonants.

    now look at the poem.

    notice how simply through the spelling of words do those words visually warp and thus, transform their meaning. what we’re left with is a bit of distance as readers, we can’t clearly see or imagine any scene or place, but he’s given us enough hints such as the insertion of seemingly incongruous imagery, such as “white glasses”, it stands out, but we’re unsure why. but when connected to words such as “queen” and “trust lips” and even “gray tits”, a female starts to take shape within this strange, seemingly incomprehensible poem.

    then there’s clearly the repetition, words like “drone” and “pressure”, lending the poem a darker, somewhat claustrophobic sense as these words twist and bend on the screen with onomatopoeia that seems to constantly resemble a moan.

    and then the end, 
    those last few lines:

    Quote:
    Foulish. gather prawn lost years burnt rum roman canter.
    Roaming skulk, bothering sleep, death

    how u’ve groan.


    with that last “groan”, ( reference back to the howling onomatopoeia), the images of unsettled sleep and death, and this poem appears to be an metaphor of some terrible, possibly romantically related struggle through to a defeating, and yet almost lucid end as this where the poem more closely resembles traditional poetry form. 

    but even without those particular attachments and metaphors, through the words alone, if given a careful reading, do lend a sense of emotion: desperate, howling, confused emotion.

  • April 2, 2012 8:30 pm

    Keebored

    GgrraaFfffFfffFfffFfff
    presure. presure. pressure. fffFfffFfffFrrrRrrrRrrrRaaaAAaaagGGGgGGG.
    drem. dram. drone.
          ^^^
    \\dddubbb///

            V

    oen. pen, open. pren, pran, prawn, pawn.
    qu(een eye dutch white glasses, gray tiht.
    vVvoOocCcaAalLlyYy cCcaAaOoOLLLLLL. 

    Drone. pressure. trust lips lit pushing further
    past open drone pressure, ddddrrrooooooooo
                                  oooooooooooooooooooo

    oooooooooooooooooo

    oooooooooooooooooone. 

    ) COals.Cowls. Kowls, Awls.Vowels. Owels, Owls. Awls.
    Foulish. gather prawn lost years burnt rum roman canter.
    Roaming skulk, bothering sleep, death

    how u’ve groan. 

  • April 1, 2012 11:11 am

    National Poetry Month

    I’ll be trying to do a 30 for 30 this month. Wish me luck, next one is coming soon.

  • March 31, 2012 10:03 pm

    Knott

    were Dead curious in small blankets? ancient coverings with knott beads
    dreaded thru holes left by heavy thumbing. The quilt of noise; having left a 
    solemn ringing and it is heard over the thoughts of being a teenager, and
    that violence.

    when Dead answer in coughing fits do you hesitate to place your hand
    in a way to cover her mouth, in a cough to remember the way her hand
    covers her mouth when she coughs, the remembering cough.

    do the Dead question that heave? where once a fit or a blood could run
    but now the thought that it could be their last bring fear? A drop cloth
    layer fragrance, posthumous fragrence; the dead smell of long lost fregrance
    caught perfectly in worn blankets, bled sumptuously - purposefully likely
    poured from a bottled held by callous’d hands. 

    Once young to thought Dead die alone, following this strict path, linear and
    cordial in plain whites and pressed colors, masturbating in the bathroom at work.
    Doe this cross doe dead this hunger for bloody wierd/ I thought. No love knows no
    knot worth tying
    or untied love knots in strange ways. 

    and know course of grown fingernails, from death doe or coffin tossed
    can unknow or untie these hungry knots as this blanket covers
    from head to toe, to skin to bone.

  • March 12, 2012 10:22 pm

    The distraction of thought is far greater a commodity than resolution. 

  • March 3, 2012 8:05 pm
    This picture describes my day to day. View high resolution

    This picture describes my day to day.